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Vintage 1978 JACK LENOR LARSEN Fabric: ROMA PILLOW, One Repeat, 35" x 54"

$ 52.8

Availability: 100 in stock
  • Return shipping will be paid by: Buyer
  • Height (Inches): 35
  • Artist: Jack Lenor Larsen
  • Restocking Fee: No
  • All returns accepted: Returns Accepted
  • Date of Creation: 1978
  • Size: Medium (up to 36in.)
  • Style: Vintage
  • Listed By: Dealer or Reseller
  • Material: 100% cotton
  • Originality: Original
  • Refund will be given as: Money Back
  • Color: Black on cream
  • Subject: Cityescape
  • Quantity Type: Single-Piece Work
  • Features: Signed
  • Width (Inches): 54
  • Item must be returned within: 30 Days
  • Year: 1978
  • Technique: Printed textile
  • Condition: In perfect vintage condition: no flaws observed. It has no odors either.

    Description

    This is one repeat of a fabric named Roma Pillow by Jack Lenor Larsen, made in 1978.
    The artwork depicts a selection of "rooftops" of Rome, Italy. From its name, we are guessing it was sold to make pillows out of it.
    Larsen passed last December, after 93 years of a fruitful artistic life. A brief note about Larsen copied from Wikipedia and pasted below:
    n a career starting in the 1950s, Larsen designed thousands of fabric patterns and textiles, many associated with the
    modernist architecture
    and furnishings popular with post-1945 American consumers.
    [1]
    [4]
    One of his first commissions in 1951, was to design the curtains for the
    Manhattan
    glass skyscraper
    Lever House
    for which he designed a translucent linen and gold metal themed weave to go with the building's plain glass walls.
    [2]
    [1]
    In 1952, he founded his own firm, Jack Lenor Larsen, Inc.
    [3]
    In 1951 the interior designer
    Florence Knoll
    turned down his textile designs as too "individualistic", but by 1953, she was commissioning olive-green- and orange-coloured Larsen textiles for furnishings. From the beginning, Larsen's distinctive hand-woven furnishing fabrics with random repeats in variegated, natural yarns were popular with clients such as
    Marilyn Monroe
    .
    [1]
    [3]
    In 1958, he designed his first aeroplane upholstery, for
    Pan American Airlines
    .
    [1]
    His interest in international weaving and textile crafts made him familiar with techniques such as
    ikat
    and
    batik
    , which he introduced to the American public, and by 1974, Larsen's company was manufacturing fabrics in 30 countries.
    [5]
    In the late 1950s, Larsen launched a fashion label, 'JL Arbiter', which although successful, was short lived.
    [6]
    [7]
    Larsen Incorporated merged with
    Cowtan & Tout
    , the American subsidiary of the London-based fabric company
    Colefax and Fowler
    , in July 1997.
    [3]
    In the 1960s, Larsen briefly ventured in designing garments including designing ties for American sculptor
    Alexander Calder
    , American composer
    Leonard Bernstein
    , and Chinese-American architect
    I. M. Pei
    . During this period, it is noted that American singer
    Joan Baez
    requested him to create custom clothing for her, which he turned down.
    [2]
    In 1968, Larsen designed the interiors and fabrics of
    Braniff International Airways
    innovative Terminal of the Future at the Dallas, Texas, carrier's Dallas Love Field hub. He also designed the textiles for use in the interior of Braniff's new Boeing 747 in 1970.
    [8]
    Some of his collaborators in the 1960s included American glass sculptor
    Dale Chihuly
    , whom he convinced to give up weaving glass and try blowing instead, and Estonian-American architect
    Louis Kahn
    with whom he designed hangings from
    First Unitarian Church of Rochester
    in
    New York
    .
    [2]
    His works are noted to have been inspired by his early life in the
    Pacific Northwest
    , with a focus on "moody, misty landscapes, and Asian cultural influences". He also brought in international influences into his work. He brought Indonesian dyeing techniques of
    Ikat
    and
    Batik
    to American audiences. His design of upholstery material Magnum in 1970, brought in Indian influences including the use of small mirrors. He would also go on to replicating the same design with a film of
    mylar
    along with his associate
    Win Anderson
    . He was also noted to have designed drapery that reduced the glare of modern glass buildings with a focus on retaining the architectural style and not disintegrating in heat and light. He also pioneered the use of
    stretch nylon
    that could be stretched over furniture, screen printing on velvet, and produced two sided textures and patterns on bath towels.
    [2]
    Larsen's works are preserved in the collections of major museums around the world, and he is one of only two design houses to have been the subject of an exhibition at the
    Palais du Louvre
    , when it hosted a one-man retrospective of his works in 1981.
    [3]
    [2]
    In 1969, Larsen co-curated
    Wall Hangings
    , a textile and fiber art exhibit at the
    Museum of Modern Art
    in New York.
    [9]
    His textile exhibits are part of the permanent collections at the
    Museum of Modern Art
    in New York,
    Art Institute of Chicago
    ,
    Musée des Arts Décoratifs
    at the
    Louvre
    in Paris, and the
    Victoria and Albert Museum
    in London. Some of the private collections of his works are at American architect
    Frank Lloyd Wright
    's house
    Fallingwater
    , and Finnish-American architect
    Eero Saarinen
    's
    Miller house
    .
    [2]
    He was a North American Advisor for the Lausanne Biennale.
    [9]
    He served as Vice President of
    Haystack Mountain School of Crafts
    ,
    [9]
    and as of 2015 served as trustee and honorary chairman.
    [10]
    In 2015, he was awarded a fellowship of the
    Textile Society of America
    .
    [10]